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in tell them i said no, herbert examines artists who have withdrawn, some in extreme ways, from the self-promotion and courting of celebrity that is bundled up with our understanding of artworld success. here we find lutz bacher, who assumed a near invisible, gender-ambiguous identity; cady noland,
who ceased making art despite acclaim, and now monitors and bedevils anyone seeking to sell or show her work; and stanley brouwn, who shunned photographic documentation and recordings, and once had all the copies of a book featuring images of his performances destroyed. in this oversharing, celebrity-driven...
https://www.dawn.com/news/1330100/canvas-the-reclusive-artist