Search Results for: Sound recording using optical media
thirds lens mount accommodates the original, lightweight pocket cinema camera lenses, and can be used with pl, c, ef, and other lenses with the use of separately available adapters. a dual-native iso up to is featured for low-light capture, and stops of dynamic range provide rich hdr images. record using
large " touchscreen display reduces the need for an external on-board monitor, while a full-sized hdmi port enables you to output a signal to a larger display on your video village. cfast , sd/uhs-ii, and usb type-c capture internally record to cfast or sd/uhs-ii card slots, or capture longer clips using...
http://awpro.tv/product_detail/blackmagic-pocket-cinema-4k-combo
thirds lens mount accommodates the original, lightweight pocket cinema camera lenses, and can be used with pl, c, ef, and other lenses with the use of separately available adapters. a dual-native iso up to is featured for low-light capture, and stops of dynamic range provide rich hdr images. record using
large " touchscreen display reduces the need for an external on-board monitor, while a full-sized hdmi port enables you to output a signal to a larger display on your video village. cfast , sd/uhs-ii, and usb type-c capture internally record to cfast or sd/uhs-ii card slots, or capture longer clips using...
http://www.awpro.tv/product_detail/blackmagic-pocket-cinema-4k-combo
just posted: fujifilm x review review apr , at : we've just posted our -page review of fujifilm's x premium compact camera. this follow-up to the x adds a new x-trans cmos sensor, hybrid af system, and enhanced optical viewfinder, while retaining the fast lens, rangefinder-inspired body, and numerous
at : panasonic is now offering its lumix dmc-xs compact camera - which was first introduced at ces in january - with ten custom 'skins'. the themes for these skins include pop art, gift wrapping, floral nature, digital, texture, and japanese traditional. the xs features a megapixel ccd, x ( - mm) optical...
https://www.dpreview.com/archive/2013/04